Beschreibung

Born in Buenos Aires, Argentina, in 1994. I began my career in 2014 working on La Calle de los Pianistas (2015) by Mariano Nante. In 2015, I joined the editorial team at Cinecolor Digital while collaborating on films such as Clementina (2017) by Jimena Monteoliva, La Salvación (2017) by Flor Román, and Toda Esta Sangre en El Monte (2018) by Martín Céspedes. I edited my first short film by Gonzalo Bazillo (Mar del Plata Film Festival, 2016) and worked on projects like Luis (2016) by Rafael Federman and Paula Bugni, and the reality show El Mentor (2016).

After Cinecolor, I freelanced on Casi Leyendas (2017) by Gabriel Nesci and La Cordillera (2017) by Santiago Mitre (Cannes – Un Certain Regard), taking on roles in production and editorial departments. In 2017, I joined K&S Films’ postproduction team.

At K&S, I worked across production, post and editorial areas on El Ángel (Cannes 2018) by Luis Ortega, Acusada (Venice & TIFF 2018) by Gonzalo Tobal, El Pepe: Una Vida Suprema (Venice / Netflix 2018) by Emir Kusturica, La Odisea de los Giles (San Sebastián 2019) by Sebastián Borensztein, Mientras Dure la Guerra (San Sebastián 2019) by Alejandro Amenábar, Druk (2020) by Thomas Vinterberg (distribution), A Cielo Abierto (Venice & TIFF 2023) by Mariana and Santiago Arriaga, and the restoration of Tiempo de Valientes (2005) by Damián Szifron.

In 2021, K&S released its first Netflix series, El Reino, directed by Marcelo Piñeyro, where I was Post Coordinator for both seasons and edited the season one intro. I also coordinated post for El Fin del Amor (Prime Video 2022) and edited pieces like the trailer for Número Oculto (Spotify Original).

After almost seven years at K&S, I moved on to new goals. From November 2023 to September 2024, I worked as producer, post supervisor and editor on Mav Block’s first feature film.

Currently based in Barcelona, I collaborate on feature films and freelance postproduction projects.

Sprachen

Englisch
Muttersprachlich oder zweisprachig
Französisch
Konversationssicher
Katalanisch
Verhandlungssicher
Spanisch
Muttersprachlich oder zweisprachig

Arbeitsortpräferenzen

Vor Ort möglich

Barcelona (bis zu 50 km)

Freelance
Editor and post-producer
AUDIOVISUELLE MEDIEN
März 2013 - Heute (13 Jahre und 3 Monate)
Barcelona, Spain
Editor, post producer, producer, color grading, workflow, schedule, budget management, management of archive footage, licensing, 2d animation, online conform, deliveries, finishing, DIT, subtitles, motion graphicsEditor, post producer, producer, color grading, workflow, schedule, budget management, management of archive footage, licensing, 2d animation, online conform, deliveries, finishing, DIT, subtitles, motion graphics
color grading Video editing Post production Video production Motion design
"Difference & Repetition, 2020"
Freelance Video Editor, Postproduction Supervisor and Producer
Oktober 2014 - Heute (11 Jahre und 8 Monate)
Buenos Aires, Argentinien
Edición de video, coordinación de post-producción, color grading, DIT, motion graphics, graphic design, VFXs.
Productora K&S Films
Editora y coordinadora de post-producción.
AUDIOVISUELLE MEDIEN
Februar 2017 - Oktober 2023 (6 Jahre und 8 Monate)
Buenos Aires, Argentinien
During my time in K&S Films, I worked in the production, post-production and editorial departments. I was involved in several acclaimed feature films such as El Angel (Cannes - 2018) by Luis Ortega, Acusada (La Biennale di Venezia - TIFF- 2018) by Gonzalo Tobal, El Pepe: Una Vida Suprema (Venezia - premiere / Netflix premiere -2018) by Emir Kusturica, La Odisea de los Giles (San Sebastián -2019) by Sebastián Borensztein, Mientras Dure La Guerra (San Sebastián - 2019) by Alejandro Amenabar, the distribution of the film Druk (2020) by Thomas Vinterberg, A Cielo Abierto (Venezia - TIFF - 2023) by Mariana Arriaga and Santiago Arriaga, and other projects such as the restoration and remaster of Tiempo de Valientes (2005) by Damián Szifron.

In 2021 K&S released the first show produced for Netflix, El Reino, directed by Marcelo Piñeyro. I was a post coordinator in that project in the 2 seasons and the editor for the intro of the 1st season. I was also a post coordinator in the Prime Video show El Fin del Amor (November 2022). I was an editor in different small pieces for the company, including the trailer for Número Oculto, a Spotify original directed by Peter Lanzani.